Realistically speaking, the movie itself is
not horrible. Having read the novel before hand, there is a sort of bias that
accompanies you as you watch the movie. Hosseini is so careful to give his
readers every single detail there is possible which in turns allows the reader
to have this perfect image in their head of how the scenes would play out in
“real life”. Though these details are
advantageous while you read the novel, they do take away from watching the movie
because they make you upset when any sort of detail or account is left out, or
so I feel.
Already
from the beginning there are minor discrepancies occurring between the film
adaptation and the novel itself but none of them seem to truly affect the story
line all too much. The film starts towards the middle part of the novel and
then goes back to the beginning, but I did not find that to be much of a
bother. What I did find very interesting of the film is that in all the scenes
where Hassan and Amir are running, Hassan is always in the lead. Amir, though
sometimes only by a few steps, is always behind him. I found there to be some
meaning behind this. It is an unarguable fact that Hassan is “advanced” in many
ways. He is past the “filter of distortion faze” even as a child, he is
forgiving in all aspects, and kind to a point that it is sickening. Amir on the
other hand is nowhere near passing his filter of distortion phase. I thought
that the fact that he is literally behind Hassan when the boys are running
around was symbolic of how he is also behind Hassan mentally.
The rape scene was portrayed exactly
how I had initially imagined it in my head.
I think a lot of credit should be given to the child actor that played
Hassan. The only thing that seemed to be off from the film and the book was Assef’s
age. By the description given in the novel, I had thought of Assef as being of
the same age as Amir and Hassan. In the film he seemed to be about two to four
years older than them. The fact that he was older in the film did make the rape
a lot more scarring on the audience, because a boy of that age should have
known better (as should have someone their age too). I think a lot of credit should be given to the
child actor that played the role of Hassan. The way he portrayed Hassan after
the rape was done marvelously. He had this sullen look on his face but still
some sort of pride when he gave Amir the kite. The way he reacted so subtly to
Amir asking what had happened, even though they both knew what happened was
also done well.
Though I was pleased with the
majority of the film because it corresponded well with what was going on in the
novel, I was extremely upset with the ending. Without sounding grotesque, I was
upset that Sohrab’s suicide attempt was completely disregarded. I think that
the suicide attempt really magnifies the fear that Sohrab felt towards the orphanage
and it also explains so much of his sorrow once he got to America. By leaving
it out, the director excluded what I thought to be one of the most important
scenes in the entire novel.
-Talia Akerman
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