Camille Kelleher
A lot of
times, novels that are adapted into movies never meet the reader’s
expectations. Fortunately, I think that Marc Foster, the director, and David
Benioff, the screenplay writer, were able to do justice to the book.
The movie never butchered the novel
and stayed primarily true to the storyline. In the movie, a few scenes were
cut, shortened, or altered most likely to save time including Soraya’s infertility,
the road trip from Kabul to Pakistan, and the fight between Amir and Assef. There
are several additions to the movie that developed the overall impression
including the decision to have the dialogue in Dari with English subtitles and
the background noise that reflects previous memories. When adult Amir returns
to Kabul, for example, the background noise of people shouting and
congratulating Amir and Hassan reflects the kite running competition and is
added to the scene with adult Amir. I love the director’s choice to add the
framed blue kite behind Baba when he tells Amir that he brings him shame. It
creates more irony and tension in Baba and Amir’s relationship and implies Baba
as impulsive and uncaring. These screenplay choices develop the emotion
elicited in the book.
Also, the
director added several humorous and light-hearted aspects to the movie that
show a lot about tradition. It’s interesting that the director decided to add
the fact that Soraya’s mother had to chaperone her walk with Amir and the
wedding scene. Both of these changes weren’t necessarily needed but it builds
the themes of family and culture found in the book and makes the movie more
relatable.
I only
understand and acknowledge Khaled Hosseini’s thesis in the movie since I
previously read the book. The movie depends a lot on the book, and partially
understates some very important themes, like friendship, redemption, and guilt.
In the book, I received the impression that Amir is a very sensitive man who
internalizes every moment of his life. The emphasis on the guilt he feels after
not stopping Assef from raping Hassan and pushing Ali and Hassan to leave Baba
had very little presence in the movie. This is the major deviation from the
book to the movie and diminishes the movie’s success. Also, I did not like the
director’s choice of actors. I imagined Baba as a much larger man because there
is elaborate description of his authority in his community and his pride he
carries everywhere.
Overall, I enjoyed the movie
because I had read the book right before watching it. If I hadn’t read the
book, then I would have left more unimpressed with the Hosseini’s emphasis on guilt,
redemption, and coming of age. For both the movie and the book, I wish that
Hosseini spent more time contrasting Allah’s will and American optimism. There
is definitely a presence of it in both mediums and I think it’s a really
interesting juxtaposition. Both are two different fates to believe in, one is
an omnipotent force while the other is a perspective on life and future
outcomes. It would have been great to see this contrast elaborated between Amir
and Assef when they are adults.
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